Showing posts with label Pat Buttram. Show all posts
Showing posts with label Pat Buttram. Show all posts

Thursday, June 27, 2019

June 19 - Pat Buttram

Image courtesy imdb.com
On this day, in 1915, Maxwell Emmett Buttram was born in Addison, Alabama. The seventh child of a Methodist minister, Maxwell spent all of his formative years in the sultry heat of the Yellowhammer State (it’s a woodpecker and the state bird). He graduated from Mortimer Jordan High School in Morris, Alabama and rolled on into Birmingham-Southern College, intending to follow his father into ministry. Instead, in an all too familiar story, he caught the acting bug when he was cast in several productions at the college and changed his mind about what he wanted to be when he grew up.

It’s not entirely fair to blame BSC for Maxwell’s change of heart though, although they did help cement it. On a trip to the 1933 Chicago World’s Fair, Maxwell was selected from the crowd as a typical Southern visitor to be interviewed on radio station WLS. His comedic observations about the fair were a hit with audiences and resulted in a job offer from the network’s Birmingham affiliate. He worked at the radio station throughout his college years, changing his professional name to Pat. Following his graduation from BSC, Pat moved to Chicago and became a regular on the popular National Barn Dance program.

Image courtesy geneautry.com
In the early Forties, Pat moved again, this time out to Hollywood. At first he was put into rotation as a new sidekick to Roy Rogers. The bad part of that plan was that Roy already had two regular partners and when it was quickly determined that a third one wasn’t needed, Pat was out. The good part was that he was free to team up with Gene Autry, who had returned from doing his duty in World War II and needed a new partner. It was a match made in entertainment heaven. Pat joined Gene on his radio show, Melody Ranch, starred in more than 40 movies with him and the pair even made the transition to television together, co-starring on The Gene Autry Show for five seasons.

Following the end of Gene’s show in 1956, Pat became a popular stand-up comedian, appearing several times on The Ed Sullivan Show, spinning fictional yarns about his ‘relatives’ spread throughout the south. He was also in high demand as a toastmaster and after dinner speaker at various functions around Hollywood. His seemingly gentle lampooning of Tinsel Town’s elite kept the stars coming back for more. In 1965, Pat returned to television with a recurring role as Mr. Haney, slippery salesman extraordinaire, on Green Acres, a gig he enjoyed for six seasons.

Image copyright Disney
With his distinctive voice (he once described it as the only part of him that didn’t quite make it out of puberty), it’s no surprise that Pat did a fair amount of voice work for the Walt Disney Company. He started in 1970 as Napolean, the hound dog, in The Aristocats. He then played the villainous Sheriff of Nottingham in 1973’s Robin Hood. In 1977’s The Rescuers, Pat was Luke, a resident of the bayou known for his special brews. He followed that up as Chief, another hound dog, in The Fox and the Hound in 1981. Seven years later, he showed up in a small role in Who Framed Roger Rabbit officially named Toon Bullet #1 (it’s the one with the white hat smoking a cigar). His last role with Disney (indeed his last role with anyone) was as the Possum Park MC in A Goofy Movie, released almost a year after his death.

Image courtesy theboot.com
As the calendar turned over into the Eighties, Pat’s acting career was mostly over, with just a handful of projects over the next decade and a half. Which didn’t mean he sat on the front porch drinking lemonade for the rest of his days. In 1982, he founded the Golden Boot Awards to recognize various categories of people who’d worked on Westerns throughout Hollywood’s history. The proceeds from the Golden Boots benefitted the Motion Picture Health and Welfare Fund. He was also active in politics. A lifelong Republican, he became something of a speech doctor for President Reagan, peppering the Gipper’s addresses with down home wisdom and homilies. In 1998, he was honored with a star on the Hollywood Walk of Fame. Pat remained active most of the rest of his life, until January 8, 1994, when his suffering with renal failure came to an end in Los Angeles, California. His final resting place is in his beloved state of Alabama in, of course, the chapel of a Methodist Church.

Thursday, December 27, 2018

December 24 - The Aristocats

Image copyright Disney
On this day, in 1970, Walt Disney Productions 20th animated feature, The Aristocats, is generally released to theaters. The Aristocats began life as an idea for a two part episode of Walt Disney’s Wonderful World of Color. It was also going to be a live action production. The project spent a couple of years being rewritten and reshaped until Walt suggested it could be the studio’s next animated feature. And so, in the Fall of 1966, as production on The Jungle Book wound down, development of The Aristocats started in earnest, making this film the studio’s last movie to bear the personal seal of approval from its founder.

Unlike many of its predecessors, The Aristocats is an original script developed by staff writers, most of the work being done by Tom McGowan and Tom Rowe. The original concept centered on two servants who stood to inherit a fortune once the family brood of cats was disposed of and their ill-conceived antics to try to make that happen. As time went on, one of the servants, the maid, was dropped and the focus of the story shifted to the cats themselves. Following Walt’s death, the emotional parts of the tale were pared down even more and the picture became more of an adventurous caper, similar to One Hundred and One Dalmatians (which is why The Aristocats is often described as Dalmatians except with cats).
Image copyright Disney
Casting the voice roles for the film followed a pattern that had been established with The Jungle Book and would continue with films like Robin Hood: a few splashy big names along with some tried and true Disney stalwarts. While the part of the villainous butler, Edgar, had been written with Boris Karloff in mind when the project was going to be live action, the role ended up going to veteran English actor Roddy Maude-Roxby. Walt had personally asked Phil Harris to play Thomas O’Malley the alley cat. This would be the second of three roles Phil would play in quick succession for the studio. Eva Gabor was tapped as Duchess, the mother cat and unlikely love interest of Thomas O’Malley. The cast was rounded out by Sterling Holloway, Pat Buttram, George Lindsay, Thurl Ravenscroft and Paul Winchell to drop just a few more names.
Image copyright Disney
The Aristocats also marks another last for the studio. It is the final animated picture that the Sherman Brothers worked on as staff songwriters for the Walt Disney Studio. Robert and Richard had been getting increasingly frustrated with how things were being run after Walt’s death and this movie would represent the last straw for them. Only two of their songs made it into the final product, The Aristocats (which enticed Maurice Chevalier to come out of retirement to sing) and Scales and Arpeggios, sung by Marie. The rest of the songs were written by various folks and include classics like Ev’rybody Wants to Be a Cat and Thomas O’Malley Cat.
The Aristocats was a financial success upon its release, grossing over $17 million worldwide on a budget of only $4 million. The reviews were generally favorable with many critics giving it three out of four stars. My only complaint about the movie is that some of its portrayals of foreign cultures have not aged well at all (I’m talking to you Paul Winchell). Otherwise, The Aristocats is a fun way to spend an hour and half, even if you might not remember too many of the specifics the next day.