In 1954, Joseph Papp decided New York City needed its own Shakespeare
Festival and began advertising auditions. Roscoe heard about the idea and,
since he both studied and taught comparative literature (and was presumably
tired of shilling booze), decided he should be a part of it. His friends all
decided he was crazy to leave a steady job for the world of the theater. He did
it anyways. That first season of what eventually became known as Shakespeare in
the Park, Roscoe landed the roles of soothsayer and Pindarus in
Julius Caesar. That cemented the end of
his steady salesman career and the beginning of a steady stage career.
Roscoe continued working with the Shakespeare Festival Theater and demand
quickly grew for his deep, rich voice. His first film role came in 1961, as the
off-screen camera man in the experimental movie The Conncection. He appeared in 30 films over the next 35 years and
lent his voice to dozens more. Highlights from his big screen career include The Cowboys with John Wayne, Logan’s Run, Jumpin’ Jack Flash with
Whoopie Goldberg, and both of the Babe
movies (he’s the narrator). Even with such an impressive resume on film, it’s
his television career that really made him a household face, if not necessarily
a household name.
Roscoe’s first gig on the small screen was as a regular cast member for the 1964
satirical show That Was the Week That Was.
A largely lost show (only audio recordings exist of most of its episodes), TW3,
as it’s sometimes abbreviated, boasted a large rotating cast including Henry
Fonda, Alan Alda, Henry Morgan, Gene Hackman, Woody Allen and Steve Allen. From
there the sky was the limit for Roscoe. He guest starred on everything from Mannix to All in the Family to Soap
to Law and Order. He also continued
doing voice over work on shows like The
Real Ghostbusters, Batman: The Animated Series and The Wild Thornberrys. Along the way he earned an Emmy nomination
for his appearance on Barney Miller
in 1976, an Emmy win for The Cosby Show
in 1986, a Soap Opera Digest Award nomination for Falcon Crest in 1989 and a Daytime Emmy nomination for Spider-Man in 1995.
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image courtesy latimes.com |
Roscoe tried his best not to take on the kind of stereotypical roles
traditionally offered to black actors and mostly succeeded. When he couldn’t find
the parts he wanted, he created them himself. In 1966, he wrote and directed A Hand Is on the Gate, which was
produced off-Broadway and starred Cicely Tyson and James Earl Jones. Later he
toured the country with Anthony Zerbe, doing a two-man show consisting of
comedy bits and poetry written by Roscoe. But his biggest theatrical successes
over the decades came when he took roles in the plays of August Wilson, which
earned him a Tony nomination in 1992 for Two
Trains Running. His smooth voice and perfect diction didn’t always serve
him well, though his humor did. During the run of Two Trains, he was accused of having “too white” a voice. His
reply? I’m so sorry, I had a white maid once.
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Image copyright Disney |
Roscoe joined the Disney family in 1973 when he was cast as Gazenga in The World’s Greatest Athlete. His next contribution
wasn’t part of Disneyana at the time, but is now. In 1977, he was asked to narrate a record presenting an abridged version of a movie popular that year directed by George Lucas. The result was The Story of Star Wars and it allowed Roscoe to check 'be on a gold record' off his list. Eleven years later, he provided the voice of Francis in Oliver and Company. Roscoe's final role for the Mouse was as Mr. Arrow in 2002's Treasure Planet.
Roscoe continued to steadily work right up to the end of his life, never giving a second thought to his friends worries about his career. His final performances, on both television and film, premiered after his passing. For all his contributions to the world of theater, Roscoe had been inducted into the Black Filmmaker's Hall of Fame in 1977 and was posthumously included in the American Theater Hall of Fame in 2008.
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