Showing posts with label Follow Me Boys. Show all posts
Showing posts with label Follow Me Boys. Show all posts

Thursday, September 19, 2019

August 30 - Fred MacMurray

Image courtesy goldenglobes.com
On this day, in 1908, Frederick Martin MacMurray was born in Kankakee, Illinois. Fred’s performing abilities came down from his father’s side of the family: dad was a music teacher and his aunt spent time on the vaudeville circuit and appeared in a slew of silent films. By 1910, the MacMurray family had moved to the Madison, Wisconsin area, near where his mother had been born. During his adolescence, Fred developed his vocal talents and began playing the saxophone. He earned a full ride scholarship to Carroll University in Waukesha, Wisconsin but failed to graduate. Maybe that was inevitable given his creative tendencies, but his time spent singing and playing with a variety of local bands certainly contributed to his dropping out. Not that it hurt him any in the long run.

In 1930, Fred was a featured vocalist on not one but three songs: All I Want Is Just One Girl with the Gus Arnheim Orchestra and I’m in the Market for You and After a Million Dreams, both with George Olsen’s band. This exposure helped him get into Broadway shows. The first was a musical revue, Three’s a Crowd, that ran for 271 performances starting in October of 1930. Two years later, Fred starred in Jerome Kern’s musical Roberta, alongside Bob Hope and Sydney Greenstreet, all three of them just waiting to become big Hollywood stars. That show ran for 295 performances, ending just in time for Fred to move to California to start his path to stardom as a contract player with Paramount Pictures.

Image courtesy nytimes.com
Fred jumped right into the deep end of movies almost as soon as he got to Hollywood, appearing in seven movies in 1935 alone. Throughout the rest of the Thirties and into the Forties, he worked with most of the heavy hitters in Tinsel Town: Katherine Hepburn, Carole Lombard, Billy Wilder, Humphrey Bogart, Claudette Colbert, Joan Crawford, Marlene Dietrich, Barbara Stanwyck, the list goes on and on. Part of Fred’s genius was the ability to do just about any role. He could be the smart guy in a comedy, the bad guy in film noir and could hold his own in a musical. Because of his versatility, Fred quickly rose to the top of his profession. By 1943, he was the highest paid actor in town pulling in over $420,000 that year (the equivalent of over $6.2 million today). And most of his best known work was still to come.

Image courtesy austinchronicle.com
One of the great film noir performances, for Fred or anyone else, happened in 1944 when he took on the role of Walter Neff, the unscrupulous insurance salesman who not only conspires to murder Barbara Stanwyck’s husband but plans to make the insurer he works for pay for it in Double Indemnity. Fred pulled off another less than savory character a decade later opposite Humphrey Bogart as Lieutenant Thomas Keefer in The Caine Mutiny. His third famous go-around as a guy you’d like to punch in the face came in 1960 when he played Jeff Sheldrake, an adulterous businessman vying with Jack Lemmon for Shirley MacLaine’s um… affections in The Apartment. He once reported that women would publically berate him for Sheldrake’s sleaziness following the release of the now classic film. Arguably, though, his biggest roles were much nicer guys and mostly came about through a long relationship with the Walt Disney Company.

The names Fred MacMurray and Walt Disney were first joined together in people’s minds in 1959 when Fred was cast in the studio’s very first fully live action movie, The Shaggy Dog. Playing the father of the titular dog, he was able to help propel the movie to the biggest financial success Disney had ever enjoyed to that point (co-starring with Annette Funicello and Tommy Kirk didn’t hurt). I’m not saying this was a key factor in making Fred one of Walt’s favorite actors, but it certainly helped. So did the success of his subsequent films. In 1961, Fred reteamed with Tommy and first played Ned Brainard, nerdy scientist and creator of a super substance called flubber, in the smash hit The Absent-Minded Professor. That performance earned him a Golden Globe nomination, the only time the vastly underrated actor ever got any nomination. Professor was so popular it spawned Disney’s first sequel just two years later, The Son of Flubber, which Fred and Tommy of course returned for. In between the two flubber flicks, Fred and Tommy joined Jane Wyman for a family vacation comedy, Bon Voyage! Three more light hearted comedies followed: 1966’s Follow Me, Boys!, 1967’s The Happiest Millionaire and, finally, 1973’s Charlie and the Angel. Fred’s seven pictures with Disney comprised more than half of his last dozen film appearances and probably more than three quarters of what he’s recognized for today. And those seven pictures became the basis for Fred achieving another Disney first when, in 1987, he was declared the inaugural Disney Legend.

As if appearing in a fair number of hit movies throughout the Sixties wasn’t enough success for one man, Fred was also appearing weekly in a hit television show as well. In 1960, he was cast as Steven Douglas, an aeronautical engineer and widowed father of three sons, on the aptly named My Three Sons on CBS. The series also starred William Frawley (of I Love Lucy fame) and one of Fred’s co-stars from The Shaggy Dog, Tim Considine. For the next five years, My Three Sons was part of the bedrock of ABC’s lineup. When the network declined to pony up for a changeover to color filming, CBS gladly snapped it up, colorized it and ran with it for seven more years, finally ending it in 1972. With 380 episodes, it’s the ranks as the #3 sitcom (in terms of number of episodes) behind The Simpsons and The Adventures of Ozzie and Harriet. And yes, just like The Simpsons has become, that final season was kind of unwatchable.

Image courtesy totalwine.com
Fred’s final acting gig came in 1978, during the disaster movie craze. He played the mayor of a Texas town being invaded by killer bees in The Swarm (which was apparently even worse than you can possibly imagine it) and decided to retire. Because, let’s face it, he didn’t need any more money. Not only was he once the highest paid actor in Hollywood, but he’d made some fantastic investments over the years and was estimated to be worth something in the range of $150 million when he died. So retiring to his 1750-acre ranch in Northern California wasn’t a bad deal at all. At least it wouldn’t have been if he hadn’t had a string of severe health problems. Fred, a lifelong smoker, was diagnosed with throat cancer in the late Seventies, shortly after ending his career. He beat it, but the cancer recurred in 1987. In the early Eighties, he was diagnosed with a mild form of leukemia, which he lived with for a decade. In 1988, he suffered a stroke that paralyzed his right side. He was able to recover about 90% of his movement over the next few years but it didn’t matter in end. In 1991, he contracted pneumonia and that was the final straw for his beleaguered body. Fred passed away in a Santa Monica hospital being treated for the pulmonary disease on November 5, 1991. He was 83.


Monday, September 9, 2019

August 23 - Vera Miles

Image courtesy thefamouspeople.com
On this day, in 1929, Vera June Ralston was born in Boise City, Oklahoma. As the youngest of four children, Vera did most of her growing up in the small town of Pratt, Kansas. When the Ralstons later moved to Wichita, she helped support the family as a Western Union operator in the evenings (telegrams were still a thing in those days). She graduated from Wichita High in 1947 already something of a hit on the beauty queen circuit having earned the titles of Miss Chamber of Commerce and Miss Wichita. The following year, Vera would be crowned Miss Kansas (she was third runner up for Miss America) and married the first of her four husbands, Bob, becoming the name she would be known as forever more: Vera Miles.

In 1950, Bob and Vera moved out to Hollywood. Bob began a career as a stuntman while Vera started picking up small roles on television and the movies. At one time or another, she was under some sort of contract to most of the major players in Tinseltown, but they never seemed to pan out. She once quipped that she’d been dropped by all the best studios in town. Her first credited role was in 1952 in a fairly forgettable romantic comedy, The Rose Bowl Story, in which she plays (surprise!) the Rose Bowl Queen. It wasn’t until three years later that Vera’s career started to pick up steam. Starting in 1955, she starred alongside Gordon Scott (who would become husband number two) in Tarzan’s Hidden Jungle, then was cast in the John Wayne classic The Searchers, followed by the thriller 23 Paces to Baker Street with Van Johnson. Around the same time, she began a professional relationship with the man who would give her one of the best known roles of her life.

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Alfred Hitchcock, who had already been directing films for nearly three decades by the time he got into television, cast Vera in the pilot episode of his anthology series, Alfred Hitchcock Presents, in 1955. Two years later, he paired her with Henry Fonda in The Wrong Man. Looking for a replacement for his perennial leading lady Grace Kelly (who had just quit show business to become an actual princess), Alfred signed Vera to a five year contract. She was slated to star in his next project, Vertigo, with Jimmy Stewart but the production was plagued with delays. By the time cameras were ready to roll, Vera was pregnant and unable to do the picture. Kim Novak stepped into the role but didn’t get along with Hitchcock and Vertigo ended up being a disappointment. He continued to champion Vera, though, and cast her as Lila Crane in his 1960 horror classic, Psycho. Even though Janet Leigh usually gets all the accolades for Psycho (particularly the shower scene), she’s only in it for a relatively few minutes (part of Hitchcock’s insistence that no one be admitted after the film started was because he didn’t want people to show up late and totally miss all of Janet’s screen time). It’s really a combination of Vera and Anthony Perkins who carry the movie. Vera’s performance in Psycho might have helped drive the picture’s success, but it would turn out to be the second and last film role that she would deliver for Hitchcock. She would star in two more episodes of his television series, but, once again, while her contract meant she got paid, it didn’t pan out into much actual work.

Image copyright Disney
Vera reunited with John Wayne (and finally got the chance to work with Jimmy Stewart) for 1962’s The Man Who Shot Liberty Valance. She also appeared in a wide variety of television series including The Twilight Zone, Riverboat (with Burt Reynolds), The Outer Limits, The Man From U.N.C.L.E, My Three Sons and the pilot episodes of both The Fugitive and I Spy.

Vera joined the Disney family in 1964 starring opposite Brian Keith in A Tiger Walks. She followed Tiger up by reuniting with Brian for Those Calloways in 1965. The next year, she appeared in the last live action film that Walt himself produced, Follow Me, Boys! with Fred MacMurray and Kurt Russell (in his first of many Disney appearances). She returned in 1973 to star in One Little Indian with James Garner and Jodie Foster (in her second Disney film) and made her final Disney movie, The Castaway Cowboy, the next year, again teaming up with James.

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Throughout the Seventies and Eighties, Vera continued to act, appearing in a handful of films and a wide variety of television shows. She was part of yet another pilot episode, this time for a William Conrad vehicle called Cannon, as well as episodes of The Love Boat, Fantasy Island, Hotel, Columbo and Hawaii Five-O. On the big screen, she threw her lot in with John Wayne two more times, once for Hellfire and again for The Green Berets (although her part was cut from the latter one in the final print). She also reprised her role of Lila in Psycho 2, made twenty-three years after the original. Vera and Anthony Perkins were the only two cast members making return engagements in a movie that was deemed less than the Hitchcock classic but still a modest hit. Vera's final television appearance came in 1991 on Murder, She Wrote and her final film role was in the 1995 thriller Separate Lives with James Belushi.

Image courtesy manapop.com
Since her retirement from entertainment, Vera has become something of a recluse in Palm Desert, California. She famously refuses to grant any interviews or make any public appearances but is willing to answer fan mail. She even declined to meet with Jessica Biel, the actress who portrayed her in the 2012 biopic Hitchcock, sending one of her grandsons along to answer any of Jessica's questions. So if you're looking to have tea and ask Vera what John Wayne was like or if Fred MacMurray was still goofy after the cameras stopped rolling, you are out of luck. You'll just have to content yourself with sending her a birthday card for her 90th turn around the sun. Or you could celebrate by turning out all the lights and cheering her on as she tries to find out what really happened to her sister in that creepy hotel.