Showing posts with label Sleeping Beauty's Castle. Show all posts
Showing posts with label Sleeping Beauty's Castle. Show all posts

Sunday, July 7, 2019

June 28 - Herb Ryman

Image courtesy californiawatercolor.com
On this day, in 1910, Herbert Dickens Ryman was born in Vernon, Illinois. When he was 9, Herb's family moved to Decatur. He began following in his father's footsteps as a medical student at the private Millikin University there, until he became deathly ill with scarlet fever. His mother, who had pushed for the medical studies over what Herb wanted to pursue, an artistic career, became concerned for his health and relented, allowing him to enroll in the Art Institute of Chicago. He graduated cum laude and, in 1932, moved out to Los Angeles, California to try his luck at making money with his art. He quickly found a job at the MGM Studio, as a storyboard illustrator. For a while during the studio's Golden Age, Herb was the only illustrator on staff and helped design the looks of such classic films as Mutiny on the Bounty, David Copperfield, the Emerald City portion of The Wizard of Oz and The Good Earth.

Image courtesy progresscityusa.com
Something about The Good Earth really struck a chord with Herb. He was inspired enough by his work on that film to quit his job and spend a year traveling around China. He made hundreds of sketches and paintings during his Asian tour, publishing many of them in a book when he returned to the states in 1938. As part of his homecoming, Herb had an exhibition of his work at the Chouinard Art Institute which was attended by Walt Disney. Walt was so impressed with Herb's paintings, he asked him if he wanted a job. Herb said sure and became Disney's art director on Fantasia and Dumbo. In the summer of 1941, when Walt and an entourage took a goodwill tour of South America on behalf of the United States government, Herb was one of the artists that went along for the ride. His sketches from the trip influenced the look of both Saludos Amigos and The Three Caballeros.

Following the end of World War II, Herb got word that 20th Century Fox was developing a film based on the novel Anna and the King of Siam by Margaret Landon. He had actually become an acquaintance of Margaret during his time in China and was interested in working on the film. He amiably resigned his position at Disney and changed studios again. Over the next several years, Herb worked on Fox films including Forever Amber, David and Bathsheba and The Robe.

For two summers, in 1949 and 1950, Herb took leaves of absence from Fox and literally joined the circus. He traveled with the performers of Ringling Bros. and Barnum and Bailey, preserving their way of life through his paintings. During his time with the circus, he became good friends with Emmett Kelly, one of the greatest clowns of all time.

Image courtesy pinterest.com
On September 26, 1953, Herb received a desperate call from another old friend, Walt Disney, asking for an immediate meeting. Intrigued, Herb agreed. When they came face to face, Walt began describing all his ideas for a new theme park and asked if Herb could produce some drawings bringing those ideas to life. Herb said sure, when do you want them? Walt said how about right now? The two men worked pretty much non stop throughout the weekend to finish several detailed sketches. It wasn't long after that when Roy Disney took those sketches and showed them to the investors who would agree to finance Walt's latest dream. Without them, Disneyland might never have become reality.

Image copyright Disney
Once the plans for his theme park were securely in place, Walt asked Herb to come back to work at Disney. This time around, Herb worked mainly with WED Enterprises, designing and creating concept images for theme park attractions. For Disneyland, he helped design Sleeping Beauty Castle, Main Street USA, New Orleans Square, the Jungle Cruise and Pirates of the Caribbean. He was integral to the development of Great Moments with Mr. Lincoln for the 1964 World's Fair. He was the chief designer of Cinderella Castle when the Florida Project was taking shape.

In 1971, Herb officially retired from Disney, but like most old timers of the era, he never completely walked away. By 1976, he was back consulting with the company on plans for EPCOT Center, giving style to the American Adventure and the China pavilion. He then helped design a history of Japan show for the opening of Tokyo Disneyland called Meet the World. His last project with Disney was creating concepts for the version of Main Street USA that would eventually debut at Euro Disneyland.

Image courtesy rymanarts.org
Outside of his work with various Hollywood studios, Herb was a prolific artist. In addition to his paintings with the circus, he created watercolors of the California coastline and portraits of various celebrities. He was a member of the American Institute of Fine Arts, the Society of Illustrators and the California Art Club. His paintings were collected by the Guggenheims, the Barrymores and Cecil B. DeMille among others.

In late 1988, Herb became ill and he passed away on February 10, 1989 at the age of 78. In 1990, he was officially declared a Disney Legend for all his work shaping the beloved Disney theme parks. That same year, his sister Lucille, along with Marty Sklar, Sharon Disney and Buzz Price, created the Ryman-Carroll Foundation in Herb's honor. The Foundation's main purpose is running Ryman Arts, an organization that provides free art classes with master teachers to Los Angeles area high school students. You can find out more about their work, and the man that inspired them, at rymanarts.org.

Monday, June 24, 2019

June 15 - Bill Martin

Image courtesy d23.com
On this day, in 1917, Wilson E. Martin was born in Marshalltown, Iowa. Bill, as he was known, and his family moved to Los Angeles, California when he was still pretty young. After high school, he went to Los Angeles Junior College and then on to the Chouinard Art Institute to study architecture. Following his graduation from Chouinard, Bill got a job as a set designer for 20th Century Fox in 1940. His career was interrupted by World War II, which he spent in the United States Air Force as a bombardier trainer. Following the war, Bill worked for a company called Panoramic Productions before returning to Fox, this time as an assistant art director. Then, in 1953, he got an offer he couldn’t refuse.



Image courtesy disneydetail.me
While working at Fox, Bill got a phone call. Someone from the Walt Disney Studio was wondering if he would like to switch companies. Disney was looking for new talent to become part of a group of employees referred to as Imagineers, was he interested? Bill jumped at the chance and became part of the team working to make Walt’s Disneyland dreams come true. One of his first assignments was to travel around to existing amusement parks to study existing systems and figure out what was working and, more importantly, what wasn’t. Then it was back to Burbank for massive brainstorming sessions.

Image courtesy disneyhistoryinstitute.com
Bill would be the first to admit that not all of his ideas were great ones. Take, for example, the corset shop he dreamed up for Main Street USA called The Wizard of Bras. Obviously that particular shop never made it past the idea phase, but it was that kind of creative thinking that convinced Walt to make Bill the art director for Fantasyland. As a result, he was integral in shaping the design of everything in the area, attractions like Sleeping Beauty’s Castle and Peter Pan’s Flight, as well as the land’s general layout and look. Once Disneyland was opened, Bill would move on to other projects in the ever expanding park. He helped design the Autopias, Bear Country, the monorail system and New Orleans Square including both its signature attractions, Pirates of the Caribbean and The Haunted Mansion.

Image copyright Disney
By 1971, Bill had become the Vice President of Design at WED Enterprises (now called Walt Disney Imagineering). He was the man in charge of the master layout for the company’s newest theme park endeavor, the Magic Kingdom of Walt Disney World. Bill’s personal design projects included the famous utilidors (the ‘tunnels’ underneath most of the Magic Kingdom’s guest areas), Cinderella Castle, Main Street USA (still no corset shop though) and the system of canals which connect various areas of the entire Florida property. As if that wasn’t enough, he also designed a wide array of watercraft that was going to be used in those canals, including the large ferry boats that run between the Magic Kingdom and the Transportation and Ticket Center and various smaller steam launches and side wheelers.
Image courtesy disneyworldexplorer.com
Bill officially retired from Disney in 1977, but, like so many of the influencers of that era, he didn’t simply walk away. He continued to keep his hand in the theme park creation business, just on a consultation only basis. His influence can be experienced in the Mexico and Italy pavilions at Epcot and the master layout for Tokyo Disneyland. Bill was, naturally, declared an official Disney Legend in 1994 for taking the theme park design torch from Walt himself and carrying it right on into the future. He has also been honored with not one but two mentions on Main Street USA windows. If you are in Disneyland, look above the Main Street Bank and you’ll see a window with his given name, Wilson Martin, right over the name Gabriel Scognamillo, who was the art director for Tomorrowland during Disneyland’s creation. If you find yourself in the Magic Kingdom, Bill is named as part of a larger group of Walt Disney World’s original designers on a window above the Plaza Restaurant. That window reads “Walter E. Disney - Graduate School of Design & Master Planning - Instructors, Howard Brummitt, Marvin Davis, Fred Hope - Headmaster, Richard Irvine - Dean of Design, John Hench - Instructors, Vic Greene, Bill Martin, Chuck Myall.” Bill passed away on August 2, 2010. He was 93.