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Image courtesy californiawatercolor.com |
On this day, in 1910, Herbert Dickens Ryman was born in Vernon, Illinois. When he was 9, Herb's family moved to Decatur. He began following in his father's footsteps as a medical student at the private Millikin University there, until he became deathly ill with scarlet fever. His mother, who had pushed for the medical studies over what Herb wanted to pursue, an artistic career, became concerned for his health and relented, allowing him to enroll in the Art Institute of Chicago. He graduated cum laude and, in 1932, moved out to Los Angeles, California to try his luck at making money with his art. He quickly found a job at the MGM Studio, as a storyboard illustrator. For a while during the studio's Golden Age, Herb was the only illustrator on staff and helped design the looks of such classic films as
Mutiny on the Bounty, David Copperfield, the Emerald City portion of
The Wizard of Oz and
The Good Earth.
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Image courtesy progresscityusa.com |
Something about
The Good Earth really struck a chord with Herb. He was inspired enough by his work on that film to quit his job and spend a year traveling around China. He made hundreds of sketches and paintings during his Asian tour, publishing many of them in a book when he returned to the states in 1938. As part of his homecoming, Herb had an exhibition of his work at the Chouinard Art Institute which was attended by Walt Disney. Walt was so impressed with Herb's paintings, he asked him if he wanted a job. Herb said sure and became Disney's art director on
Fantasia and
Dumbo. In the summer of 1941, when Walt and an entourage took a goodwill tour of South America on behalf of the United States government, Herb was one of the artists that went along for the ride. His sketches from the trip influenced the look of both
Saludos Amigos and
The Three Caballeros.
Following the end of World War II, Herb got word that 20th Century Fox was developing a film based on the novel
Anna and the King of Siam by Margaret Landon. He had actually become an acquaintance of Margaret during his time in China and was interested in working on the film. He amiably resigned his position at Disney and changed studios again. Over the next several years, Herb worked on Fox films including
Forever Amber, David and Bathsheba and
The Robe.
For two summers, in 1949 and 1950, Herb took leaves of absence from Fox and literally joined the circus. He traveled with the performers of Ringling Bros. and Barnum and Bailey, preserving their way of life through his paintings. During his time with the circus, he became good friends with Emmett Kelly, one of the greatest clowns of all time.
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Image courtesy pinterest.com |
On September 26, 1953, Herb received a desperate call from another old friend, Walt Disney, asking for an immediate meeting. Intrigued, Herb agreed. When they came face to face, Walt began describing all his ideas for a new theme park and asked if Herb could produce some drawings bringing those ideas to life. Herb said sure, when do you want them? Walt said how about right now? The two men worked pretty much non stop throughout the weekend to finish several detailed sketches. It wasn't long after that when Roy Disney took those sketches and showed them to the investors who would agree to finance Walt's latest dream. Without them, Disneyland might never have become reality.
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Image copyright Disney |
Once the plans for his theme park were securely in place, Walt asked Herb to come back to work at Disney. This time around, Herb worked mainly with WED Enterprises, designing and creating concept images for theme park attractions. For Disneyland, he helped design Sleeping Beauty Castle, Main Street USA, New Orleans Square, the Jungle Cruise and Pirates of the Caribbean. He was integral to the development of Great Moments with Mr. Lincoln for the 1964 World's Fair. He was the chief designer of Cinderella Castle when the Florida Project was taking shape.
In 1971, Herb officially retired from Disney, but like most old timers of the era, he never completely walked away. By 1976, he was back consulting with the company on plans for EPCOT Center, giving style to the American Adventure and the China pavilion. He then helped design a history of Japan show for the opening of Tokyo Disneyland called Meet the World. His last project with Disney was creating concepts for the version of Main Street USA that would eventually debut at Euro Disneyland.
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Image courtesy rymanarts.org |
Outside of his work with various Hollywood studios, Herb was a prolific artist. In addition to his paintings with the circus, he created watercolors of the California coastline and portraits of various celebrities. He was a member of the American Institute of Fine Arts, the Society of Illustrators and the California Art Club. His paintings were collected by the Guggenheims, the Barrymores and Cecil B. DeMille among others.
In late 1988, Herb became ill and he passed away on February 10, 1989 at the age of 78. In 1990, he was officially declared a Disney Legend for all his work shaping the beloved Disney theme parks. That same year, his sister Lucille, along with Marty Sklar, Sharon Disney and Buzz Price, created the Ryman-Carroll Foundation in Herb's honor. The Foundation's main purpose is running Ryman Arts, an organization that provides free art classes with master teachers to Los Angeles area high school students. You can find out more about their work, and the man that inspired them, at rymanarts.org.
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