Image courtesy jimhillmedia.com |
On this day, in 1963,
Priscillano Antonio Romanillos was born in Zamboanga City, Philippines. When
he was 6, Pres and his family moved to Queens, New York. At some point, his
older brother, Bob, started to take a correspondence course in art. Bob quickly
lost interest but the lessons, already paid for, kept coming. Pres began
looking at his brother’s lessons, loved them and finished the course for him.
When he grew older, Pres attended the School of Visual Arts in Manhattan,
eventually earning himself an MFA.
In 1989, as the Disney Renaissance was starting and the
company was actively recruiting animators for the first time in years, Pres was
hired on as an animation trainee. He cut his teeth on The Little Mermaid, impressing one of the supervising animators,
Ruben Aquino, with his draftsmanship and passion. He continued to hone his
skills on The Rescuers Down Under, Beauty
and the Beast and Aladdin. By Pocahontas, Pres had been promoted to
animator and worked under supervising animator Glen Keane on the title
character. Pocahontas co-director
Eric Goldberg said he was in awe of the sheer beauty that was Pres’ work.
Image copyright Disney |
Pres made minor contributions to The Hunchback of Notre Dame but came into his own on Disney’s 36th
animated feature, Mulan. As
supervising animator for the films villain, Shan-Yu, as well as the villainous
sidekick, Hayabusa the falcon, Pres really threw himself into his work, albeit
mostly subconsciously. He said in an interview once that he left work feeling
sexy during production on Pocahontas,
but when he shifted to Mulan, his
wife kept asking why he was so angry all the time. Feelings below the surface
or not, Pres managed to create a menacing figure in Shan-Yu that no one felt
too bad about when he met his explosive demise at film’s end.
Image copyright DreamWorks |
Once Mulan was finished, Pres became another Disney casualty
in the animation war of the time, when he followed Jeffrey Katzenberg to his
newish studio, DreamWorks SKG. He came in during production on The Road to El Dorado as an animator. By
Spirit: Stallion of the Cimarron, he
was once again a supervising animator as he also helped design the Native
American character Little Creek. Pres continued as a supervisor for Dunbar’s
Crew on DreamWork’s 2003 film, Sinbad:
Legend of the Seven Seas. Unfortunately for Pres (and Jeffrey and
DreamWorks) none of those movies were a financial success. Following Sinbad, DreamWorks would abandon
traditional animation altogether in favor of CGI. Fortunately for Pres, he was
able to make the transition to computer animation and contributed to films like
Shrek 2 and Madagascar.
Image courtesy lifeisapickle.blogspot.com |
In 2007, Pres travelled to Spain, where he established the
Enne Animation Studio with his artist friend, Scott Johnston. While there he
completed a short film, The Old Chair, using characters from a blog he’d started
in 2006, Life as a Pickle.
Tragically, while in Spain, Pres would be diagnosed with leukemia. He returned
to the States, underwent a bone marrow transplant and seemed to be on the road
to recovery. He actually returned to work at Disney in July of 2009 as an
animator on Prince Naveen for The
Princess and the Frog.
Pres might have angered the voodoo gods through his work on Princess, though. In March of 2010, he
not only suffered a relapse of his cancer, but the leukemia was much more
aggressive this time around. Pres passed away on July 17, 2010. Following his
death, Steve Hulett, a representative of the Animation Guild, declared that of
all the animators who deserved a few more decades of artistic success, Pres was
at the top of that list. He was only 47 years old.
Hey, just a rando looking up relating content. What pushed you to make this blog post about Pres? I've seen a lot of talk about Filipino animators elsewhere where his name has never been mentioned. I'm honestly curious.
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