Wednesday, January 16, 2019

January 11 - Pres Romanillos

Image courtesy jimhillmedia.com

On this day, in 1963, Priscillano Antonio Romanillos was born in Zamboanga City, Philippines. When he was 6, Pres and his family moved to Queens, New York. At some point, his older brother, Bob, started to take a correspondence course in art. Bob quickly lost interest but the lessons, already paid for, kept coming. Pres began looking at his brother’s lessons, loved them and finished the course for him. When he grew older, Pres attended the School of Visual Arts in Manhattan, eventually earning himself an MFA.

In 1989, as the Disney Renaissance was starting and the company was actively recruiting animators for the first time in years, Pres was hired on as an animation trainee. He cut his teeth on The Little Mermaid, impressing one of the supervising animators, Ruben Aquino, with his draftsmanship and passion. He continued to hone his skills on The Rescuers Down Under, Beauty and the Beast and Aladdin. By Pocahontas, Pres had been promoted to animator and worked under supervising animator Glen Keane on the title character. Pocahontas co-director Eric Goldberg said he was in awe of the sheer beauty that was Pres’ work.

Image copyright Disney
Pres made minor contributions to The Hunchback of Notre Dame but came into his own on Disney’s 36th animated feature, Mulan. As supervising animator for the films villain, Shan-Yu, as well as the villainous sidekick, Hayabusa the falcon, Pres really threw himself into his work, albeit mostly subconsciously. He said in an interview once that he left work feeling sexy during production on Pocahontas, but when he shifted to Mulan, his wife kept asking why he was so angry all the time. Feelings below the surface or not, Pres managed to create a menacing figure in Shan-Yu that no one felt too bad about when he met his explosive demise at film’s end.

Image copyright DreamWorks
Once Mulan was finished, Pres became another Disney casualty in the animation war of the time, when he followed Jeffrey Katzenberg to his newish studio, DreamWorks SKG. He came in during production on The Road to El Dorado as an animator. By Spirit: Stallion of the Cimarron, he was once again a supervising animator as he also helped design the Native American character Little Creek. Pres continued as a supervisor for Dunbar’s Crew on DreamWork’s 2003 film, Sinbad: Legend of the Seven Seas. Unfortunately for Pres (and Jeffrey and DreamWorks) none of those movies were a financial success. Following Sinbad, DreamWorks would abandon traditional animation altogether in favor of CGI. Fortunately for Pres, he was able to make the transition to computer animation and contributed to films like Shrek 2 and Madagascar.

Image courtesy lifeisapickle.blogspot.com
In 2007, Pres travelled to Spain, where he established the Enne Animation Studio with his artist friend, Scott Johnston. While there he completed a short film, The Old Chair, using characters from a blog he’d started in 2006, Life as a Pickle. Tragically, while in Spain, Pres would be diagnosed with leukemia. He returned to the States, underwent a bone marrow transplant and seemed to be on the road to recovery. He actually returned to work at Disney in July of 2009 as an animator on Prince Naveen for The Princess and the Frog.

Pres might have angered the voodoo gods through his work on Princess, though. In March of 2010, he not only suffered a relapse of his cancer, but the leukemia was much more aggressive this time around. Pres passed away on July 17, 2010. Following his death, Steve Hulett, a representative of the Animation Guild, declared that of all the animators who deserved a few more decades of artistic success, Pres was at the top of that list. He was only 47 years old.

1 comment:

  1. Hey, just a rando looking up relating content. What pushed you to make this blog post about Pres? I've seen a lot of talk about Filipino animators elsewhere where his name has never been mentioned. I'm honestly curious.

    ReplyDelete