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Image courtesy of comicvine.gamespot.com |
On this day, in 1914,
John Morin Bradbury was born in Seattle, Washington. Jack was always
interested in the comic strips he saw in the newspapers growing up and felt
that drawing them must be a pretty great way to spend one’s time. So he
practiced his skills as often as he could, waiting for an opportunity to break
into the business. In 1933, he saw the Disney produced Silly Symphony The Three Little Pigs and not only was
enamored of it himself, but noticed how everyone in town seemed to be talking
about it. He heard rumors that the Disney Studio was hiring and sent a
portfolio down to Hollywood. He was invited to come down for a two week trial
run, mostly at his own expense. Jack put $50 in his pocket and took the offer.
He passed the test and, at just 20 years of age, started his life in cartoons
for the princely sum of $15 per week.
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Image copyright Disney |
For the next four years, Jack worked as an inbetweener on
such classic Mickey Mouse shorts as The
Band Concert and Through the Mirror.
As work ramped up on Snow White and the
Seven Dwarfs, he began working under Eric Larson and Milt Kahl. The
employees of the studio were encouraged to work up their own little pieces of
animation and actually have them filmed so they could be critiqued and given
pointers on how to improve. As the big drive to finish Snow White wound down,
Jack made a couple of those pieces and asked Ham Luske, who’d been supervising
animator for Snow White’s title
character, to look at them. Ham approved of them and showed them to Walt, who
also approved.
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Image copyright Disney |
In 1938, Jack became a full animator. He worked on shorts
like Ferdinand the Bull (one of his
sequences is when Ferdinand sits on the bee) and Barnyard Symphony. He also lent a hand to the next several features
the studio produced. Jack’s work can be seen in some of Figaro’s scenes in Pinocchio, the Pegasus family in Fantasia and the stage fight in Bambi. Then, in 1941, Jack got caught up
in the big animator’s strike at the studio. After being out for several weeks,
he was invited back to work when the strike ended but his return didn’t last
long. By the end of the year, Jack was one of a number of animators who would
be permanently laid off.
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Image copyright Disney/Western Publishing |
From 1942-44, Jack went across town to work for Friz Freleng
at Warner Brothers, mostly working on Bugs Bunny shorts. Following his stint
there, he went to work for American Comics Group working on comic book stories
for characters like Fremont Frog and Spencer Spook. In 1947, Jack began working
for Western Publishing, the company that produced comic books based on works by
Disney, Walter Lantz and Warner Brothers. For the next 31 years, he drew
practically every Disney character that existed for comic books and the Little
Golden Books. He was so adept at it that Walt reportedly told Western that if
Jack drew it, it didn’t need to be submitted for approval.
Starting in late 1969, Jack would begin to suffer from
macular degeneration. As his eyesight worsened, he gradually moved from drawing
comics to writing them instead. He finally had to call it quits for good in
1978. Towards the end of his life, Jack enjoyed a resurgence of interest in his
work and would occasionally make appearances at various comic cons. He would
pass away from kidney failure on May 15, 2004 in Sylmar, California. He was 89.
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